Drop your show folder. Takebox groups the takes, trims the dead air, converts sample rates, and names everything your way — no DAW round-trip, and your originals stay untouched.
A USB drive full of 01.wav through 32.wav. Pre-roll to cut. Sample rates to convert. Until now that meant importing everything into a DAW and exporting it all back out. At 1 a.m.
No DAW import, no re-export — Takebox does it in place.
Not a DAW. Not a file manager. The multitrack organizer — purpose-built for console and stage recordings.
Cut the pre-roll and tail of a whole take in one pass. Takebox proposes the points — you confirm. No importing, no re-exporting.
Convert an entire take between sample rates in place — plus MP3 exports for quick hand-offs. WAV masters stay pristine.
Reads BWF timestamps and audio length to cluster loose WAVs into takes — even when copies have lost their metadata.
Finds L/R mono pairs by naming convention and merges them into bit-perfect stereo files. Originals stay untouched.
Full-scan detection of empty filler channels — flagged for review, never auto-deleted. You decide what goes.
Token-based file and folder naming with savable presets. Your archive, your convention — applied in one pass.
Recovery tools you'd otherwise need a full DAW session — and a lot of patience — for. This is where Takebox stands alone.
Scans your tracks for dropouts and glitches — a fast sample pass first, full depth on demand. Know about the damage before your client does.
Verifies your backup rig against the main recording — channel maps, lengths, even waveform spot-checks that catch patch mistakes. Damaged sections? Replaced straight from the backup.
Measures timing offsets between tracks — bus latency, even polarity flips — and pulls them into line. Delay compensation, after the fact. Stereo pairs always move as one.
No subscription. Buy it once, use it on your machines.
Leave your email and we'll let you know the moment the trial is ready — at the early-bird price.